Blog

2025 flew by in an instant, and before I knew it, 2026 was upon us.
Last year was filled with valuable connections with many customers and everyone involved in the jewelry industry, making it a year of learning and inspiration.
I would like to extend my heartfelt, albeit belated, gratitude to everyone who supported me in my daily work.

For me, 2026 marks a turning point, involving transitions and changes in my role.
I intend to be even more aware of my increased responsibilities and approach each decision and task with earnest dedication.

In the fundamental core of pearl wholesale, I will continue to thoroughly assess the multifaceted appeal of materials, pursuing the creation and proposal of more valuable products that align with the sensibilities of the times, as well as those of designers and buyers.

As for sCenes, while our participation in distant events will decrease this year, I am committed to carefully working on both communication and manufacturing to help more people experience the profound depth and potential for free expression that pearls offer.

This year, too, I will continue to earnestly engage with pearls and build a reputation for reliable work.
I look forward to your continued support.

Takatoki Yoshida, sCenes, Pearl House Inc.

Did you know that there used to be a building called the "Japan Pearl Center" in Kobe until very recently?

While many of you might not be familiar with it, Kobe has long been a city with a thriving pearl industry, developing as a hub for exporting pearls to the world.
As a symbol of this, the "Japan Pearl Center" was built in 1952 as a base for pearl trading and industry recovery in Hyogo Prefecture after the war.

In 2008, the "Kobe Pearl Museum" opened on the first floor of the center. Here, for a long time, many people enjoyed learning about the history of Kobe and pearls, the pearl cultivation process, and the differences in types through actual objects and models.

The center, which was even designated as a registered tangible cultural property by the country as an industrial heritage site, was a modern building with the skeleton of its pillars and walls exposed. The spiral staircase and furniture inside the building created a nostalgic and unique atmosphere.
However, after more than half a century since its construction, it had deteriorated due to aging, and due to issues such as maintenance costs, it was decided that it would be demolished. Unfortunately, its appearance can no longer be seen.

Along with this, the Pearl Museum also closed.
Its collection was entrusted to the Kobe Fashion Museum, and a "Kobe Pearl Museum Corner" is now located in the 3rd floor library.

I myself have only been in the industry for about 15 years, but the center, which I visited several times for auctions, was a very special place that made me feel like I was involved in the world of pearls.
Even though it was a place I visited for work, looking at the exhibits allowed me to view pearls with a fresh perspective as a visitor. I feel it was also a place that gave me such precious time.

Although the closure was regrettable, it is also a step towards a new future.
Currently, a multi-purpose complex is under construction on the former site, and plans are underway for the Pearl Museum to reopen in a new form in 2027.
The dignitaries of the industry are racking their brains and providing invaluable support to pass on the pearl industry to future generations.
As a member of the "Pearl City Kobe Council," I also participate in the museum's planning meetings, and I cherish the time I spend exchanging ideas with my colleagues, however small my contribution, on how to promote the charm of pearls from Kobe.

Kobe is a city that has walked hand in hand with pearls since ancient times.
I believe it is our role to cherish this tradition and convey its charm to the next generation.
I sincerely look forward to the day when many people will gather again and experience the beauty of pearls.

Thank you for your continued patronage of sCenes.

We regret to inform you of the passing of Kiyoto Hoshika, who was involved in the production of sCenes, including the specimen stands. He was 69 years old.
We are deeply saddened by his untimely death.

In recent years, he not only made recorders and flutes but also wooden shaft pens. It was during exchanges with sCenes for future productions that this sudden tragic news arrived.

COLLECTIBLE PEARL, which has now become an iconic collection of sCenes, was able to materialize the unprecedented idea of "displaying pearls," which allowed it to become known to many people. I believe this would not have been possible without Mr. Hoshika's help.
I still remember the感動 (deep impression/emotion) I felt when the specimen stands were completed.

Mr. Hoshika was a friend of my father's since their school days, and I myself was kindly looked after by him since I was a child. I remember how happy I was when I became an adult and was able to work with him.

I was captivated by his gentle personality and beautiful works, and the time we spent together visiting his workshop many times and creating things together was irreplaceable.

We respectfully express our deepest condolences and heartfelt gratitude for Mr. Hoshika's achievements during his lifetime.

It is with great regret that we announce that sales of Mr. Hoshika's works will be discontinued as of March.

We hope that the works you have acquired will continue to be cherished by you.

sCenes Takatoshi Yoshida